Ai margini di Raffaello
With the evidence of contemporary documents it is possible to prove that the frame of the Marriage of the Virgin by Raphael in the Pinacoteca of Brera in Milan, a masterpiece of Neoclassical wood carving and plaster modelling, was prepared soon after the arrival of the painting in Milan. An engra...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Fondazione Università Ca’ Foscari
2015-07-01
|
| Series: | MDCCC 1800 |
| Subjects: | |
| Online Access: | http://doi.org/10.14277/2280-8841/549 |