“Come, Dark-eyed Sleep”: Michael Field and the Performance of the Lyric as a Radical Fantasy
This article seeks to illustrate how the Michael Fields articulate their Sapphic poetry in Long Ago (1889) not only in keeping with their own Shakespearean aspirations and with Robert Browning’s hybrid formula of dramatic lyrics, but also in connection with Jonathan Culler’s theory of the lyric as a...
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| Формат: | Стаття |
| Мова: | English |
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Universidad de Alicante
2021-07-01
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| Серія: | Revista Alicantina de Estudios Ingleses |
| Онлайн доступ: | https://raei.ua.es/article/view/19188 |