Revisiting Charles Keil: Commentary on Câmara et al. (2023)
Charles Keil (1966) argued against Leonard Meyer (1956) that the expressivity, emotional power, and groove of music does not primarily lie in the syntax of the notated score, but in music performance as a bodily and participatory process. So far, empirical music research has investigated the traces...
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| Format: | Article |
| Language: | English |
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The Ohio State University Libraries
2024-01-01
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| Series: | Empirical Musicology Review |
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| Online Access: | https://emusicology.org/index.php/EMR/article/view/9372 |