The poster as modernist progenitor
Ruth E. Iskin’s The Poster: Art, Advertising. Design, and Collecting, 1860s-1900s positions the late-nineteenth-century advertising poster as the progenitor of valued modernist practices typically attached solely to photography and film. Modernist biases separating high art from mass culture account...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2015-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2015/11/hauser-review.pdf |