The poster as modernist progenitor
Ruth E. Iskin’s The Poster: Art, Advertising. Design, and Collecting, 1860s-1900s positions the late-nineteenth-century advertising poster as the progenitor of valued modernist practices typically attached solely to photography and film. Modernist biases separating high art from mass culture account...
Main Author: | Katherine Hauser |
---|---|
Format: | Article |
Language: | English |
Published: |
Department of Art History, University of Birmingham
2015-12-01
|
Series: | Journal of Art Historiography |
Subjects: | |
Online Access: | https://arthistoriography.files.wordpress.com/2015/11/hauser-review.pdf |
Similar Items
-
Traces of the Unrepresentable in the Modernist Discourse of Clement Greenberg and Michael Fried
by: Gal, Nissim
Published: (2013-08-01) -
Colore solo. Le valenze cromatiche di “painterly” e “post painterly” nell’estetica di Clement Greenberg
by: Marcello Sessa
Published: (2020-07-01) -
Fluxus & Museus:
by: Luzia Gontijo Rodrigues
Published: (2017-04-01) -
O juízo estético em Greenberg
by: Úrsula Passos
Published: (2017-04-01) -
La imagen latente: Walter Benjamin y la historia del arte
by: Cecilia Bettoni