Dionysus in 69: Richard Schechner tra teoria e prassi della performance
The paper aims to review the Schechner’s play Dionysus in 69. An event that, although the critics (and the director himself) have historicized as a simple epiphenomenon of American radical theater, however shows that it already possesses those foundations and principles that, in his post-theatrical...
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| Format: | Article |
| Language: | Italian |
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Edizioni Museo Pasqualino
2020-10-01
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| Series: | Mantichora |
| Online Access: | https://cab.unime.it/journals/index.php/IJPS/article/view/2803 |