Dante Canonized and Discarded. Some Remarks on the Reception of the Divina Commedia in the Stalin Era

During the late nineteenth and early twentieth centuries, in the academic and literary circles of tsarist Russia Dante’s Divina Commedia was considered as a religious poem. The theological background underlying the work incurred ecclesiastical censorship, which made it challenging to publish its tra...

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Bibliographic Details
Main Author: Kristina Landa
Format: Article
Language:English
Published: Firenze University Press 2021-07-01
Series:Studi Slavistici
Subjects:
Online Access:https://oaj.fupress.net/index.php/ss/article/view/8473