Hap-Tech Narration and the Postphenomenological Film
Within this paper, I explore the look and feel of the subjective point-of-view (POV) shot in narrative cinema and how it presents an awkward and uncomfortable space for the viewer to inhabit. It considers what David Bordwell has called the surrogate body: the concept in which viewers step into the r...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-08-01
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| Series: | Philosophies |
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| Online Access: | https://www.mdpi.com/2409-9287/4/3/47 |