Un’«armonica e magnifica fronte». La persistenza della frenologia nei discorsi medici italiani intorno al genio musicale
When Vincenzo Bellini died in 1835, the sculptor Dantan took a mold of his face in order to preserve the features of the great Italian composer for future generations. The operation was carried out a second time in Catania forty-two years later, when the musician’s corpse was moved from Paris to Sic...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
École Normale Supérieure de Lyon Editions
2017-11-01
|
| Series: | Laboratoire Italien |
| Subjects: | |
| Online Access: | http://journals.openedition.org/laboratoireitalien/1619 |