Aspects of pitch organization in György Ligeti's Piano etude no. 8, Fém
György Ligeti’s Piano Étude No. 8, Fém, is governed by two simultaneous and continuously repeated rhythmic patterns, one of which is for the right hand, the other for the left one. The patterns evoke the medieval concept of Talea, a constant configuration of durations whose repetitions introduce a r...
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| Médium: | Článek |
| Jazyk: | English |
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The Sibelius Academy of the University of the Arts Helsinki
2019-12-01
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| Edice: | Trio |
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| On-line přístup: | https://trio.journal.fi/article/view/89006 |