Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary...
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| Format: | Article |
| Language: | English |
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Aphra Behn Society
2019-05-01
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| Series: | ABO : Interactive Journal for Women in the Arts 1640-1830 |
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| Online Access: | https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1171&context=abo |