Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire

This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary...

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Main Author: Freya Gowrley
Format: Article
Language:English
Published: Aphra Behn Society 2019-05-01
Series:ABO : Interactive Journal for Women in the Arts 1640-1830
Subjects:
Online Access:https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1171&context=abo
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author Freya Gowrley
author_facet Freya Gowrley
author_sort Freya Gowrley
collection DOAJ
description This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function.
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spelling doaj.art-6fc71d2110b042b1ac2682f47842dd682022-12-22T01:09:42ZengAphra Behn SocietyABO : Interactive Journal for Women in the Arts 1640-18302157-71292157-71292019-05-019110.5038/2157-7129.9.1.1171Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual SatireFreya Gowrley0University of EdinburghThis article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function.https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1171&context=abocampmacaronisatireprint cultureeighteenth-centurymasculinity
spellingShingle Freya Gowrley
Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
ABO : Interactive Journal for Women in the Arts 1640-1830
camp
macaroni
satire
print culture
eighteenth-century
masculinity
title Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
title_full Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
title_fullStr Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
title_full_unstemmed Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
title_short Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
title_sort representing camp constructing macaroni masculinity in eighteenth century visual satire
topic camp
macaroni
satire
print culture
eighteenth-century
masculinity
url https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1171&context=abo
work_keys_str_mv AT freyagowrley representingcampconstructingmacaronimasculinityineighteenthcenturyvisualsatire