Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire
This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary...
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Format: | Article |
Language: | English |
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Aphra Behn Society
2019-05-01
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Series: | ABO : Interactive Journal for Women in the Arts 1640-1830 |
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Online Access: | https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1171&context=abo |
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author | Freya Gowrley |
author_facet | Freya Gowrley |
author_sort | Freya Gowrley |
collection | DOAJ |
description | This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function. |
first_indexed | 2024-12-11T11:05:47Z |
format | Article |
id | doaj.art-6fc71d2110b042b1ac2682f47842dd68 |
institution | Directory Open Access Journal |
issn | 2157-7129 2157-7129 |
language | English |
last_indexed | 2024-12-11T11:05:47Z |
publishDate | 2019-05-01 |
publisher | Aphra Behn Society |
record_format | Article |
series | ABO : Interactive Journal for Women in the Arts 1640-1830 |
spelling | doaj.art-6fc71d2110b042b1ac2682f47842dd682022-12-22T01:09:42ZengAphra Behn SocietyABO : Interactive Journal for Women in the Arts 1640-18302157-71292157-71292019-05-019110.5038/2157-7129.9.1.1171Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual SatireFreya Gowrley0University of EdinburghThis article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function.https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1171&context=abocampmacaronisatireprint cultureeighteenth-centurymasculinity |
spellingShingle | Freya Gowrley Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire ABO : Interactive Journal for Women in the Arts 1640-1830 camp macaroni satire print culture eighteenth-century masculinity |
title | Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire |
title_full | Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire |
title_fullStr | Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire |
title_full_unstemmed | Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire |
title_short | Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire |
title_sort | representing camp constructing macaroni masculinity in eighteenth century visual satire |
topic | camp macaroni satire print culture eighteenth-century masculinity |
url | https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1171&context=abo |
work_keys_str_mv | AT freyagowrley representingcampconstructingmacaronimasculinityineighteenthcenturyvisualsatire |