The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema

The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema

The article argues for the relevance of the concept of the uncanny for a nuanced approach of intermediality. It identifies specific areas where the uncanniness of intermediality appears and examines Joanna Hogg’s three autobiographically inspired films, The Souvenir (2019), The Souvenir Part II (202...

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Bibliographic Details
Main Author: Pethő Ágnes
Format: Article
Language:English
Published: Sciendo 2023-11-01
Series:Acta Universitatis Sapientiae: Film and Media Studies
Subjects:
intermediality
uncanny
affective metalepsis
joanna hogg
reflexivity
Online Access:https://doi.org/10.2478/ausfm-2023-0013

Internet

https://doi.org/10.2478/ausfm-2023-0013

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