The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema
The article argues for the relevance of the concept of the uncanny for a nuanced approach of intermediality. It identifies specific areas where the uncanniness of intermediality appears and examines Joanna Hogg’s three autobiographically inspired films, The Souvenir (2019), The Souvenir Part II (202...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Sciendo
2023-11-01
|
| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
| Subjects: | |
| Online Access: | https://doi.org/10.2478/ausfm-2023-0013 |