L’Arlequinade anglaise et la gravure satirique au XVIIIe siècle : Élaboration esthétique et détournement politique
In the satirical texts of the 1720s, the English pantomime and its emblematic figure, Harlequin, pandered to the xenophobic prejudices that stigmatised foreignness and at the same time fuelled the attacks of literary satirists who exposed the degeneracy of the national stage. The print market that w...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2003-01-01
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| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/3125 |