Parodie à la frontière mexicaine dans Machete (Robert Rodriguez, 2010) et Tejano (David B. Garcia, 2018)
Borderland cinema, whether it be Mexican or US-American (Babel, The Three Burials of Melquiades Estrada, Sicario, Sin Nombre), constantly borrows from the narrative, visual or musical codes of the “other” and, by displacing them, sets out to shape the contours of its own cultural identity, situated...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2022-10-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/47958 |