Comment les documentaires de création montrent-ils les groupes professionnels ? L’exemple des ouvrier·ère·s d’abattoirs
This article is situated in the crossing of two current reflections : the one concerns the documentaries and the singularity of their point of view, compared with the social sciences ; other one aims at analyzing the possibility to film the contemporary work and thus the methodologies allowing to ma...
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| Format: | Article |
| Language: | fra |
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Université de Poitiers
2018-02-01
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| Series: | Images du Travail, Travail des Images |
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| Online Access: | http://journals.openedition.org/itti/835 |