Architectural Symbolism: Body and Space in Heinrich Wölfflin and Wilhelm Worringer
The paper questions Jacques Rançière’s conception of the modern aesthetic regime as the correlation between visuality and language by returning to two fundamental figures of modern art history, Heinrich Wölfflin and Wilhelm Worringer. First, Wölfflin’s '“Prolegomena”' (1886) is interpreted...
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| Format: | Article |
| Language: | English |
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Open Library of Humanities
2016-06-01
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| Series: | Architectural Histories |
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| Online Access: | http://journal.eahn.org/articles/213 |