Framing the Unframed: Avalanche, an Art Magazine
Between the 1960s and 1970s, art practices such as performance, conceptual, and land art challenged the very possibility of framing the artwork and clearly demarcating the boundaries that enclosed it. In this context, art and artists’ magazines assumed a pivotal role as they became the medium and...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2023-09-01
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| Series: | JoLMA |
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| Online Access: | http://doi.org/10.30687/Jolma/2723-9640/2023/01/006 |