At the Crossroads between Paris, Texas and the Buena Vista Social Club, Havana: Wim Wenders and Ry Cooder as Collaborators
I take the image of the crossroads first as a way of elucidating the approach Wim Wenders takes to making films and Ry Cooder to making music, and to the implicit politics that can be derived from their practice. I then look at Paris, Texas as a crossroads film to examine how the thematic and formal...
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| Format: | Article |
| Language: | English |
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UTS ePRESS
2008-02-01
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| Series: | PORTAL: Journal of Multidisciplinary International Studies |
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| Online Access: | http://epress.lib.uts.edu.au/journals/index.php/portal/article/view/390 |