Standing at God’s threshold: film viewing as dwelling in Terrence Malick’s The Tree of Life
The viewer’s experience of Malick’s cinema can be arguably approached from the notion of dwelling. As Toles points out, the essence of this dwelling derives from the use of the medium’s capacities to reveal the world as something real. In contrast with earlier films, The Tree of Life (2011) opens up...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2019-05-01
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| Series: | Church, Communication and Culture |
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| Online Access: | http://dx.doi.org/10.1080/23753234.2019.1616579 |