Pour une archéologie cinématographique de la condition immersive: La Jetée (Chris Marker, 1962)

Today we tend to emphasise the technological dimension of immersive devices, insisting on the notions of interactivity, virtual reality or augmented perception— all of which promise to intensify museum experience or the film experience. But it must be recognised that the principle of immersion is o...

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Bibliographic Details
Main Authors: Barbara Le Maître, Natacha Pernac, Jennifer Verraes
Format: Article
Language:English
Published: Milano University Press 2023-09-01
Series:Cinéma & Cie
Subjects:
Online Access:https://riviste.unimi.it/index.php/cinemaetcie/article/view/19396