Usage et expérience du film
This article analyzes the beginnings of the reception theory in German philosophy, then its developments. It argues that the logical sense of this theory lays in a new definition of the use, with the example of the reception of Brian de Palma’s Scarface in the French suburbs.
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2016-04-01
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| Series: | Mise au Point |
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| Online Access: | http://journals.openedition.org/map/2104 |