Produkowanie estetyk, produkowanie podmiotu. Początki odwilży i wolność twórcza w sztukach wizualnych na przykładzie wystawy w Arsenale
In Polish art history, there are two approaches to the “Arsenał” exhibition of August 1955. One, rooted in the debates around it, presents the “Arsenał” as the beginning of a political “thaw” – an act of emancipation, a demonstration of young artists who rebelled against the socialist realism. The...
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| Format: | Article |
| Language: | deu |
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Adam Mickiewicz University Press
2019-05-01
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| Series: | Artium Quaestiones |
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| Online Access: | https://pressto.amu.edu.pl/index.php/aq/article/view/18807 |