Egoyan au miroir
Atom Egoyan’s Artaud Double Bill (2007) foregrounds the parallel gazes of two female spectators in film theatres where Vivre sa vie (Godard, 1962) and The Adjuster (Egoyan, 1991) are shown. Through the mediation of text messages they send each other during the projection, but also through the quotat...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2018-10-01
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| Series: | Mise au Point |
| Subjects: | |
| Online Access: | http://journals.openedition.org/map/2577 |