The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick
This article provides an embodied account of conceptual meaning in film. More specifically, it claims that the sensory-motor system plays a constitutive role in the cinematic characterisation of abstract concepts. Firstly, we briefly discuss the standard disembodied view of first-generation cogniti...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Milano University Press
2014-10-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16341 |