The Will To Move. Finding the Vanishing Point as an Analytical Method
In 1962 the political elite removed the burden of the directorship of National Theatre from the shoulders of Tamás Major, the parliamentary representative of Hungarian theatre arts. Nevertheless, he continued to determine the artistic conception of the theatre with his French-chic aesthetic sense, h...
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| Format: | Article |
| Language: | English |
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UArtPres
2020-08-01
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| Series: | Symbolon |
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| Online Access: | http://uartpress.ro/journals/index.php/symbolon/article/view/98 |