Bodies and Screens: Aspects for a Phenomenology of Moving Image Installations
The article argues for a phenomenology of moving image installations in three steps. First, I present Vivian Sobchack’s central concept of the film’s body in the context of the cinematic apparatus, paying special attention to aspects that concern non-cinematic projection and differences between film...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
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| Series: | Interfaces |
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| Online Access: | https://journals.openedition.org/interfaces/6218 |