”Douce Mélancolie” à la Scena per Angolo: The Sublime Melancholy of Hubert Robert – Detached from Roman Models
In this paper I trace how melancholy and paintings of ruins link together in Hubert Robert’s (1733–1808) images and how we can also comprehend some other concepts close to melancholy in order to understand his images. As far as I know there has not been a great deal of serious discussion of what imp...
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| Format: | Article |
| Language: | Finnish |
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Society for Art History in Finland
2019-03-01
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| Series: | Tahiti |
| Online Access: | https://tahiti.journal.fi/article/view/79910 |