Cutting and Running from the (Medieval) Middle East: The Mises-hors-scène of Kingdom of Heaven’s Double DVDs
Ridley Scott’s Kingdom of Heaven (2005) certainly invites a reading along the lines of historicist cultural criticism. The final intertitle (and final shot of the film) refers to an “uneasy truce,” which implicitly extended to the film and its more critical reviewers. Despite statements to the contr...
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| Format: | Article |
| Language: | English |
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Université du Sud Toulon-Var
2007-07-01
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| Series: | Babel: Littératures Plurielles |
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| Online Access: | http://journals.openedition.org/babel/815 |