Interstices and impurities in the cinema: Art and science
Through a close analysis of Alain Resnais’s Mon Oncle d’Amerique (1980), Angela Dalle Vacche argues that the French filmmaker interrogates the “humanity” of humans through art, science, and religion in the light of Andre Bazin’s film theory. On the scientific side, Resnais’s film clarifies Bazin’s m...
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| Format: | Article |
| Language: | English |
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University College Cork
2013-08-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue5/HTML/ArticleDalleVacche.html |