The Mass of a Wrecked Ship is Bones and Water: Thoughts on Dominique White’s "Deadweight"
This essay examines Dominique White's recent solo exhibition at Whitechapel Gallery, exploring how her sculptures evoke histories of transatlantic slavery and colonial systems, and the enduring impacts of displacement. Drawing from afrofuturism and hydrarchy, White's works transform iron,...
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| Formato: | Artigo |
| Idioma: | English |
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Universidade Católica Portuguesa
2024-12-01
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| coleção: | Journal of Science and Technology of the Arts |
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| Acesso em linha: | https://revistas.ucp.pt/index.php/jsta/article/view/17584 |