Event or Ephemeron? Music’s Sound, Performance, and Media (A Critical Reflection on the Thought of Carolyn Abbate)
The study of music’s production, reproduction, and circulation is today suspended between two ruling paradigms—the methodological inclinations of musicology, on the one hand, and ethnomusicology, on the other. If the central referents for musicology (and especially its technical support system, mus...
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| Format: | Article |
| Language: | English |
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Milano University Press
2021-04-01
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| Series: | Sound Stage Screen |
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| Online Access: | https://riviste.unimi.it/index.php/sss/article/view/15335 |