Susanne Langer on Music and Time
Susanne Langer’s idea of the primary apparition of music involves a dichotomy between two kinds of temporality: ‘felt time’ and ‘clock time’. For Langer, musical time is exclusively felt time, and in this sense, music is ‘time made audible’. However, Langer also postulates a ‘strong suspension thesi...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Helsinki University Press
2021-03-01
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| Series: | Estetika |
| Subjects: | |
| Online Access: | https://estetikajournal.org/articles/195 |