Voicing Le Neutre in the invisible choir in Richard Wagner’s Parsifal
Roland Barthes was suspicious about the ability of music and voice to signify, as revealed in many of his writings. However, his somewhat limited views on music and voice need not to restrain from profiting his semiotic theorising and his reasoning, which can be adapted for musical instances in ways...
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| Format: | Article |
| Language: | English |
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University of Tartu Press
2008-12-01
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| Series: | Sign Systems Studies |
| Online Access: | https://ojs.utlib.ee/index.php/sss/article/view/17474 |