Everything is Illuminated. Zur Numerischen Analyse von Farbigkeit in Filmen
The article analyses the composition of colour in the mise-en-scène of the zombie-movies REC, 28 Days Later and World War Z via a computer based approach. It first evaluates some of the methodological pro...
| Main Authors: | , |
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| Format: | Article |
| Language: | deu |
| Published: |
Forschungsverbund Marbach Weimar Wolfenbüttel
2018-09-01
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| Series: | Zeitschrift für digitale Geisteswissenschaften |
| Subjects: | |
| Online Access: | http://www.zfdg.de/node/254 |