Action and Agency in The Red Shoes
In this paper, I argue that Michael Powell and Emeric Pressburger's ballet musical The Red Shoes (1948) is concerned with topics surrounding phenomenology, action, and embodied agency, and that it exploits resources that are uniquely cinematic in order to “do philosophy.” I argue that the film...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2018-10-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2018.0091 |