Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System
Pierre Schaeffer's typomorphology (1966) proposes seven criteria of musical perception for the identification and qualification of sound objects, which form the basis of his musical theory. This Solfège fits well into contexts where pitch is not the dominant dimension. Relying on similarities b...
Main Authors: | , , |
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Format: | Article |
Language: | English |
Published: |
Universidade Estadual do Paraná
2022-04-01
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Series: | Revista Vortex |
Subjects: | |
Online Access: | https://periodicos.unespar.edu.br/index.php/vortex/article/view/4693 |