Visual representation and restoration in the middle of 19th century. From drawing en plein air to “divination”: a route toward the stylistic Restoration
Around the middle of the 19th century, the expanding architectural historiography – fed by a group of intellectuals who ‘heroically’ started the classification of the infinite Italian heritage – began more and more frequently to adopt the Monge representation, in order to improve knowledge and aware...
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| Format: | Article |
| Language: | English |
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Università Mediterranea di Reggio Calabria
2017-03-01
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| Series: | ArcHistoR Architettura Storia Restauro: Architecture History Restoration |
| Online Access: | http://pkp.unirc.it/ojs/index.php/archistor/article/view/389 |