The Obstinate Gaze: Derrida Looking at Pictures
This paper surveys all of Derrida’s numerous and occasional discourses on the visual arts with a view to describing both the history of his interest in the visual arts and its relations to visuality. The argument begins with recognition that his responses to art are self-consciously affective. Derri...
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| Format: | Article |
| Language: | English |
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University of the Philippines
2011-06-01
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| Series: | Humanities Diliman |
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| Online Access: | http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/2232 |