On Roma’s Monumentality
A cursory glance at reviews of Alfonso Cuarón’s Roma (2018) reveals the overwhelming recurrence of the expression “intimate epic” to describe it. In this article I explore the implications of this oxymoron for an appreciation of the film. Much of the discussion surrounding Roma attributed its politi...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
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| Series: | Interfaces |
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| Online Access: | https://journals.openedition.org/interfaces/7978 |