Antigüedad de la tragedia y teatro moderno. Una coyuntura aristotélica en el teatro áureo (1623-1633)
This article acknowledges that during the 1620s and 1630s major changes took place in the practice of what we might call—despite the oxymoron—tragic comedia. The new paradigm can be seen in the work of the great ‘mature’ poet Lope de Vega, and in that of the young Calderón. There are two factors whi...
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2012-04-01
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| Series: | Mélanges de la Casa de Velázquez |
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| Online Access: | http://journals.openedition.org/mcv/4329 |