The paradoxes of cinematic movement: is the road movie a static genre?
This article suggests a typology of the movements perceived by spectators in films. Filmic movement may be: duration-induced, profilmic, audible off-camera, composition-induced, editing-induced, narrative, or thematic. This typology is applied to the road movie, that is, a film genre defined as comp...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Université Toulouse - Jean Jaurès
2015-02-01
|
| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| Subjects: | |
| Online Access: | http://journals.openedition.org/miranda/6257 |