Simulating the Past. Digital Preservation of Moving Images and the ‘End of Cinema’
In the past decade, the discourse around digital cinema has flourished and given birth to a long series of ontological and phenomenological reflections around the status of the medium in the digital age. Can digital cinema still be called ‘cinema?’. Does cinema conserve its indexical nature, or is...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Milano University Press
2016-10-01
|
| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16445 |