Musical Embodiment and Perception: Performances, Avatars and Audiences
The empirical study presented in this chapter has implications for performance studies, philosophy of music, music aesthetics and music perception. The impetus for the experiment was pedagogical and originated in the piano studio. The working hypothesis was that in the teaching of classical techniqu...
| Main Authors: | , , , , , , , |
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| Format: | Article |
| Language: | English |
| Published: |
Université de liège
2015-12-01
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| Series: | Signata |
| Subjects: | |
| Online Access: | http://journals.openedition.org/signata/1117 |