A Capricious Aspect of a Haydn Quartet: Parallels Linking Musical Phrasing to Italian Poetic Theory
Haydn’s Quartet op. 9, no.6, illustrates the application of poetic conventions to music. Viewed as a Capriccio, movement 1 discloses a labyrinthine rhythmic structure both didactic and amusing. A table of musical rhythms and inventory of musical phrase types supplement analyses.
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Format: | Article |
Language: | deu |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2007-12-01
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Series: | Muzikološki Zbornik |
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Online Access: | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/5460 |