‘Affective’ witnessing and testimony in contemporary environmental cinema

This article advances that through incorporating registers of affect, environmental cinema might better approximate its socially and ecologically transformative goals. A film in which this has been attempted is Fisher Stevens’s Before the Flood (2016), and it is contended here that for this r...

Full description

Bibliographic Details
Main Author: Inge Konik
Format: Article
Language:English
Published: University of the Free State 2018-12-01
Series:Acta Academica
Subjects:
Online Access:http://196.255.246.28/index.php/aa/article/view/3696