Archival Hauntings in the Revenant Narratives from Home in Péter Forgács’s Private Hungary
The paper discusses the haunting narratives of amateur home movies in Péter Forgács’s multipart project Private Hungary (1988-2002), reading found-footage documentaries as a spectral repetition of a past era. It suggests that the tool-character of ‘revenant’ narratives may provide a new interpretat...
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| Format: | Article |
| Language: | English |
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Milano University Press
2016-10-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16452 |