Le Hellfest, arène discursive. Sociologie des festivals de musique live comme sphères publiques

Because of its importance in terms of people affected or groups programmed, Hellfest, a festival of "extreme music" since 2006, has, by its magnitude, made visible heavy metal music in France, its amateurs and the cultural behaviors associated with metal scenes. Loved and invested by a min...

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Bibliographic Details
Main Author: Gérôme Guibert
Format: Article
Language:English
Published: Criminocorpus
Series:Criminocorpus
Subjects:
Online Access:https://journals.openedition.org/criminocorpus/6393