Décomposition et recomposition : présence et absence des corps noyés dans Lélia (1833) de George Sand et L’Éducation sentimentale (1845) de Gustave Flaubert
In Romantic literature, water often serves as a symbol of death and of the dissolution of the individual, representing a passage from presence to absence. In order to show this transformation, writers frequently rely on scenes of drowning. However, in these depictions drowning does not always lead t...
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| Format: | Article |
| Language: | fra |
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The John Paul II Catholic University of Lublin & Werset Publishing House
2012-12-01
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| Series: | Quêtes Littéraires |
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| Online Access: | http://czasopisma.kul.pl/ql/article/view/4624 |