Neil Gaiman’s Use of Antiquity in Television Series: American Gods and Calliope
American Gods (Starz 2017–2021) and The Sandman (Netflix 2022– ), two highly watchable audiovisual series are adaptations of Neil Gaiman’s popular novel (2001) and of his earlier comic book series (1989–1996). They are both inspired by classical and Norse mythologies and reflect the evolution of cu...
Główni autorzy: | Elżbieta Olechowska, Marta Pszczolińska |
---|---|
Format: | Artykuł |
Język: | English |
Wydane: |
University of Ljubljana Press (Založba Univerze v Ljubljani)
2023-12-01
|
Seria: | Clotho |
Hasła przedmiotowe: | |
Dostęp online: | https://journals.uni-lj.si/clotho/article/view/17166 |
Podobne zapisy
-
Sustaining the imaginative life: mythology and fantasy in Neil Gaiman’s <i>American gods</i>
od: M. Slabbert, i wsp.
Wydane: (2006-07-01) -
Aesthetic Universals in Neil Gaiman’s Post-Postmodern Mythmaking
od: Čipkár Ivan
Wydane: (2019-07-01) -
Watching (through) the Watchmen: Representation and Deconstruction of the Controlling Gaze in Neil Gaiman’s The Sandman
od: Daniele Croci
Wydane: (2014-05-01) -
“Power and all its secrets”: Engendering Magic in Neil Gaiman’s The Ocean at the End of the Lane
od: Laura-Marie von Czarnowsky
Wydane: (2015-12-01) -
Divine Parody: Ridiculing America’s Spiritual Crisis in Neil Gaiman’s American Gods
od: Ahmad Wildan Rizaq, i wsp.
Wydane: (2022-03-01)